She almost didn’t vote

"Everyone knows me" - at Mtskheta polling station

 

I saw this woman during an election in the Republic of Georgia in 2002. I described her in my report about it:

She hobbled into the polling station at Mtskheta leaning on a cane, clutching a brochure from a candidate in her gnarled hand. She was running a fever, yet still had managed to walk to the polling station. Less than 5 feet tall and wispy thin, her head covered with a worn scarf, she was nearly invisible in the irritated crowd pressed up to the table where voters were trying to sign in.

Eventually, as the chaos untangled itself, she managed to get to the registration desk. But then she was turned away – she hadn’t brought any identification with her.

“I’ve lived here all my life,” she said, bewildered. “Everyone knows me.” The elections commission member was apologetic, and offered to find someone to give her a ride home to get her identification.

The woman refused, and walked out slowly. I don’t know how far she had to walk, but an hour later she was back, old Soviet passport in hand. She took her ballot into the curtained booth, and cast it in the transparent box.

I will never forget this woman’s determination to exercise her legal right to vote in a free and fair election – a right that she had waited for during seven decades of Soviet rule….

It’s true: I never forgot the woman. Only recently I rediscovered the report that began with this narration of her story.

The report was buried in some training files that I had copied from the computer of Rob Eure, a trainer I’d worked with in Egypt and Afghanistan. Rob had never mentioned to me that he had this report, but he kept it with him during our work on elections in Egypt in 2005.

Tragically, Rob died of a heart attack in Cairo during the project. I still miss his humor and good sense, as well as his thirst for a good story and his heartfelt desire to help other journalists. He was one of the best trainers I ever worked with. I like knowing that he valued something I wrote enough to keep it.

I was glad to rediscover this report, because it includes so many details that I had forgotten – about the journalists, about the difficulties, about my philosophy of training journalists.

I put much time and thought into reports on projects, in the hope that project planners and funders will replicate what worked, and avoid what didn’t work. It’s also a chance for me to assimilate what I’ve learned as a trainer, for each assignment has its own challenges and I draw on past experience to cope with them.

This report describes one of three assignments I had in Georgia from 2000 to 2002, and though a decade old it still includes timely lessons.

Download it here:  Georgia Elections Report 2002

Why “Baraka”?

Taxi wreck in Senegal, 1996

My travels have taken me through more than 40 countries – but not very quickly.

I waited in a lot of hot and dusty lines, took many slow and crowded bus rides, felt confused and lonely for days on end.

In these long hours, travelers usually just complain, talk to each other, or sleep. I eventually learned to do the opposite: When I’m bored, annoyed, worried, or tired, I look more closely at what is right in front of me.

Instead of zoning out, I pay more attention.

In doing so, I see the organic architecture that infuses even the simplest or ugliest scenes. It is a wealth that is always at hand.

In Joyce Kilmer Memorial Forest, NC, 2011

The word ‘baraka’ in Arabic means ‘blessing,’ or ‘gift,’ but I interpret it more along the lines of the Sufis, who use ‘baraka’ to mean ‘divine essence.’

So when I thought of what to name my photography business, back in 2006, Baraka Photos seemed perfect. I also had fond memories of the 1996 film, Baraka, which has no narration but takes the viewer on a contemplative journey through the world’s visual rhythms.

At the time I named the business, I had never heard of the future US president, Barack Obama. When he first ran for office I went to some lengths to assure folks that Baraka Photos was not a political campaign office.

My goal was to provide meditative images to help people see their personal connection with worlds that appear to exist far outside of us. This idea carried over into an educational exhibit I produced about the people of Afghanistan, called “Beyond the Mountains.”

Last year I folded the business, but I kept the name for my website. Now I use it in the name of a nonprofit I started, Baraka Foundation, to assist education and information in isolated mountainous regions.

Training the Watchdogs

Campaign signs abounded in Indonesia, 1999

The National Endowment for Democracy, a US government agency, funds a wide range of projects around the world – including, of course, media development. One of its offices is the Center for International Media Assistance, which examines the issues in media development and presents reports and roundtables on these issues.

Recently they published a report, “Covering Elections: The Challenges of Training the Watchdogs,” by Rosemary Armao. She interviewed many journalism trainers, including several sessions with me about my experiences in elections training since 1999.

Her report is a thorough examination of this important element of media development. Among the eight recommendations that conclude the report are some that apply to all media development, not only elections training:

+Coordination between donors and organizations to avoid duplication

+Follow up and ongoing training is essential, rather than one-off workshops

+Screen would-be participants and select carefully rather than just rounding up warm bodies

+Standardize content – not by forcing trainers to all teach the same workshops, but by establishing common terms and standards.

A subtext here is that trainers themselves need to know something about how to conduct skill-based training for adult learners. That requires its own skill set. Being a good reporter or editor doesn’t automatically make you a good trainer.

The report can be downloaded from here.

Art in Bloom

This underwater photograph, Temporary Home, was featured in the exhibit “Art in Bloom” at Big Canoe, Georgia. I shot it in Jamaica using my new underwater camera. I was watching the layers of water and light, and how the steps created a pathway between them.

When it came time to choose a photo for the Art in Bloom show, I intended to pick something representative of my abstract nature photography. But this photo stopped me. What I like about it is how it conveys the impermanent state we are in, just floating, and that death is moving up and outward.

The idea was in my head because I’d heard just days before a teenage girl singing a song at Jasper ArtFest, called “Temporary Home.” I had video-recorded her singing, and then watched it again and again despite the poor sound quality, which does not do justice to the sweet clarity of her voice.

The lyrics describe a little boy, a young mother, and an old man, all in various difficult stages of life, and all comforted by the thought,
“This is my temporary home, it’s not where I belong – windows and rooms, I’m passing through…. I’m not afraid because I know this is my temporary home.”

And then I got a “hit” from the universe. I don’t get those very often, the message that’s quite clear telling me what to do, but this one was as though a person was sitting next to me.

Choose this photograph. Someone in Big Canoe needs this message.

OK, I thought. Let’s just test this.

I sent this photo and two other very nice ones to Carolyn Littell and Janet Hagerman, the floral artists who had been chosen to interpret my work. Janet went straight to it: “Temporary Home. It just spoke to me.”

We met to discuss the piece, and they listened carefully to my thoughts about the meaning of death. I was intrigued to imagine how they might interpret it; Janet is versed in Asian thought and ikebana, the Japanese minimalist style of arranging flowers and objects.

On the day of the Art In Bloom reception, I was just about to get dressed to go when the phone rang. It was my sister Ann, with terrible news: My nephew Erik’s oldest son, Ann’s grandson, had been killed by a drunk driver. Tony Bloomquist was just 19.

I tried to absorb the shock, and comfort her as best I could. It was an outrageous, horrific blow to everyone who knew Tony. I didn’t want to go to an art reception with a bunch of people drinking wine and gossiping.

But I knew Carolyn and Janet were really excited for me to see the interpretation. So I went.

When I walked in and saw it, I was amazed at how distinctive and beautiful the interpretation was. Janet had used hydrangeas in a crystal bowl, some on the bottom, some floating, matching the color palette of Temporary Home, with water and lights to augment the theme of transience and transition.

Lots of people stopped to study our pairing. Many of the other floral interpretations were more traditional arrangements accompanying paintings, but this one, they told me, was really unusual.

Being at the reception, I saw how the message had resonated with Janet, Carolyn, and visitors to the exhibit. This communal response soothed to me in my grief.

And I remembered the voice that spoke to me the day I chose the photo.

The person who needed to hear the message of Temporary Home was me.

New books at the library

A load of 60 new books, purchased with donations from North Georgia residents, was delivered in August to the library of the village school for girls in Afghanistan.

The girls and teachers were enthralled by the books… some had never had hardcover books with color illustrations before.

The new library is fully furnished and in use. The plastic wrap is still on the chairs – a proud sign of their newness.

Last year’s fundraisers saw the completion of the library with a solid roof, plastered walls, and hand-trimmed doors and windows, as well as paint inside and out.

 

Just for forest users

I’m developing a new web site about the Chattahoochee National Forest, and it is now in beta: ChattahoocheeNow.

Its focus is to bring together information for all users of the Chattahoochee-Oconee National Forest.

Why another web site? Why not just use the US Forest Service’s site?

People of the forest need a place to get together and talk – even if we never meet in person. That was my hunch, and it was confirmed during a series of public meetings this year.

When the Forest Service asked forest users what it could do to help them, “better communications” and “a user-friendly web portal” were answers that came up again and again.

But the reality is that there’s only so much a federal agency can do with its website. It can’t have comments or forums – they are too difficult to manage. It can’t move quickly – all the content has to go through the bureaucracy. And, deserved or not, there’s a mistrust of government that is bound to affect how forest users would view any information put out by the Forest Service.

ChattahoocheeNow is meant to be for all of us: bikers and hikers, hunters and fishers, horse people and motor people, soldiers and naturalists, visitors and residents.

It will not answer to any government agency or private organization, but to its audience.


Typing in the Dust

Photographer and reporter consult on a story at Pajhwok Afghan News

This piece originally appeared in Smoke Signals newspaper. 

 

When the sandstorm hits, I sleep with a water-soaked cloth pulled over my face. It’s the only way to keep from breathing the fine dust that permeates the tiniest cracks in the building.

In the morning, the ground glows with smooth beige powder, as though cloaked in snow. I put on my military-grade helmet and shrapnel-proof vest, climb into the armored car with my co-workers and our bodyguards, zig and zag down city streets. I clear 15 checkpoints–including three pat-downs–during this commute to and through the International Zone of Baghdad.

At last I arrive at the workplace: a cavernous conference room inside the Iraqi parliament building. I fluff my helmet-smooshed hair, pick up my notebook, and smile at the cluster of Iraqis.

“Sabah el-khayr,” I greet them … and I really mean it. Any morning that I have the privilege of working with journalists in places like Iraq is, indeed, a good morning.

Not the same kind of good morning as I enjoy in a kayak on Lake Petit. But, after a two-year hiatus in Big Canoe, it was time to rejoin my colleagues overseas.

So in May and June, I went to Afghanistan and Iraq to work with local journalists.

Optimism and journalism are two words seldom seen as mates. Yet in both countries, my work with these journalists left me hopeful about their future.

June 8-24: Baghdad

My assignment: Teach interviewing skills to Iraqi journalists who cover the parliament. Their assignment: Ask clear, specific, neutral questions from their elected officials–even if it means interrupting them in mid-sentence.

Scary stuff. The interrupting, I mean. Most of the journalists I worked with were still afraid to press ahead in their role, even though they understood its importance.

While they knew in their bones that they have the right and the obligation to question elected officials, the journalists were often silent when faced with a blathering member of parliament. Some of their hesitation was cultural – to not contradict authority or elders–but they also work with a very real fear that being overly aggressive in their reporting will lead to being killed.

Many in the press corps are young and with little formal training in journalism, but also are uncontaminated by Saddam-era ideas. I found Iraqis, like many other journalists I have worked with in the region, keen to learn and quite sophisticated in their understanding of politics. We had many laughs as well as some very impassioned talks about the risks that come with the job.

MP Salim al Jabouri, member of the Iraqi legal committee, being interviewed

Though the reporters were sometimes disdainful of the members of parliament, those we interviewed were knowledgeable about their committee’s issues but were themselves struggling to learn how to do their job. The Legislative Strengthening Program that my work was part of, funded by tax dollars through the U.S. Agency for International Development, aims to build that capacity among members and staff in the Iraqi parliament.

Improving the quality of local coverage is important to the parliament’s ability to serve its twin role of legislation and oversight. Journalists are the eyes and ears of Iraqi citizens, as well as a megaphone amplifying the voices of ordinary people loud enough that elected officials will hear.

The withdrawal of U.S. troops from the cities has been cause for both celebration and fear; an upturn in violence is to be expected.

But the longer-term trend is toward unity and rebuilding, rather than sectarian violence. Journalism will be a crucial part of that positive trend.

Kabul: Back to the Future

I was enjoying the last bites of lunch on a sunny patio, catching up on the news about my friends. Then an editor stuck his head out of the window of the conference room and yelled down at me: “C’mon, it’s one o’clock!”

I concealed my smile as I scrambled to my feet and headed to the meeting. What a delicious pleasure to be scolded for being late … by an Afghan editor.

Over and over, in the two years we lived in Afghanistan, we taught the importance of timeliness in journalism, of making the deadline, of operating the office efficiently and on a schedule. The Afghans, after 26 years of civil war, were well-attuned to the immediate present, but did not have much practice with preparing for an organized future.

Day by day, one monthly calendar page at a time. I made a point of reminding the staff repeatedly about our workshops and plans well in advance – yet they were usually surprised when the event actually came to pass.

Now they were telling me to be on time. I was thrilled.

I had returned to work again with Pajhwok, the news agency that my husband Tom Willard and I started. Although I’d kept in touch via email, and had seen some of my Afghan colleagues when they visited the US, I had not been to Kabul since 2005.

Some things were much the same, or worse. Kabul, like Baghdad, has its share of wind-whipped dust storms. The construction, demolition, open sewers, and insufficient green space all add to stinging clouds of dust. The concrete barricades and armed guards are numerous and seem to go on for entire blocks. The attitude toward Westerners has clouded considerably. Although the Pajhwok staff calls me “Mom,” outside the safety of the office gate I felt the hostility.

At the time we left Afghanistan, we were unsure whether Pajhwok would last more than a couple of years. News agencies are not easy money-makers, and the prospects for long-term funding were not good after the Iraq war started. We’d had to build the agency nearly from scratch in about four months, and did not know whether the staff was solid enough in the important skills they needed.

We carried on anyway, believing that the education and experience the Afghan staff gained as individuals would continue to benefit the country’s development even if Pajhwok itself did not survive.

Judge Zakia Hakki, member of the parliament's human rights committee, is questioned by Iraqi journalists

The staff persevered after we left. Today Pajhwok’s staff covers the entire country and publishes photos and audio and about 40 news and feature stories a day in three languages. Its clients include international news outlets, embassies, and nongovernmental organizations, as well as all the Afghan radio, TV and newspapers.

Many of the staff members are the same men and women whom we hired and trained in 2004. And remarkably, despite being taunted by rampant corruption and threatened by the guns of warlords, they are still following the principles and ethics of journalism that we taught them.

I came this time to help the staff prepare for coverage of the elections in August, only the second time that Afghan voters will choose a president as well as their provincial council members. The election of 2004 was momentous, but this year’s ballot will be more important in the degree to which it can solidify democratic institutions.

Part of my work was to discuss policy and coverage guidelines with the Pajhwok editors. As we debated how to give fair treatment to the large field of presidential candidates, I was struck by the high level of standards and thought around that table.

Somehow this team had grasped and held firmly to the principles that are so central to democracy: that they must serve ordinary people rather than the powerful, that their mission is to provide quality information so that citizens can make good decisions and hold their leaders accountable.

No sandstorm has obliterated their vision. They get up every morning, still breathing, and clear away the dust.  One story at a time.